I remember sitting on the floor, wearing a buckled shoe on one foot and on the other a sock. In front of me was a square tin box with yellow, red, black, and blue diamonds painted on it and with a handle made of metal and a ball of wood. The square box was a hard thing for me to struggle with, holding it steady while I cranked the handle to listen to the creak of the mechanism and the galloping tinny sounds of “Pop Goes the Weasel” until the lid of the box flew off to reveal a clown made of crinkly paper with a bobbing, heavy face and outstretched arms.
If I dig further back, I remember being tucked into bed with a teddy bear that played a lullaby. The clockwork ticked away underneath the bear’s body until the key on its back when still. The bear broke when I was very young, and it was featured in photos from my first Christmas. I certainly have other memories, of people singing and playing the piano (my mother) or chanting silly rhymes over and over again (my father, who can appreciate music and sings quietly among the congregation at church, but rarely sings solo).
In each of these moments of memory, I’m rewarded with a reminder of how tactile music can be. It’s not just the sounds, but also the biting sharpness of the edge of a jack-in-the box as you crank the key ["Brahms' Lullaby"]. It’s the woolly warmth of a soft baby’s toy that’s meant to encourage drowsiness. It’s the melody of a folk song ["Hang Down Your Head Tom Dooley"] with the smell of chocolate cake in the oven and a bowl to lick. At live performances, it’s the feeling of being swept off your feet by the vibrations of the pipe organ behind your chair ["A Mighty Fortress Is Our God"]. Or the swoosh of air moving your hair as singers rush past singing the opening song of the second act [a medley of songs from Hair, including "Let the Sun Shine In"].
It’s this tactility, of acting within the moment of the music, that makes me join up for chorus and daydream about taking time off to catch a musical in NYC. To me, there are no performances of music that are just about the music. If nothing else, there is the feeling of open space and the hushed motions of listeners in the audience. So how about you? Do you find music to be just purely an effect of sound? Or do you feel as though you are living more deeply within life’s experience while singing, playing, or listening to a musical piece?